Sunday, June 15, 2014


PG-13 (1:20 - though it seemed longer)
Limited release 5/2/2014
Viewed Sunday, 6/15/2014 in Harrisburg at the Midtown Theater
RT Critic:  93 Audience:  79
Cag:  2/It was okay
Directed by Pawel Pawlikowski
Music Box Films
in Polish, with English subtitles

My comments:  The story was a good one, but could have been told in about 45 minutes. It was depressing.  And dark...literally.  Black & white and dark.  And although it ended exactly as I knew it would, it really pissed me off...probably because of my own personal religious bent, especially about the Catholic church.  However, the thing that bothered me most were the long silences.  L...o....n....g silences.  Way too long......

RT Summary:  From acclaimed director Pawel Pawlikowski (Last Resort, My Summer of Love) comes IDA, a moving and intimate drama about a young novitiate nun in 1960s Poland who, on the verge of taking her vows, discovers a dark family secret dating from the terrible years of the Nazi occupation. 18-year old Anna (stunning newcomer Agata Trzebuchowska), a sheltered orphan raised in a convent, is preparing to become a nun when the Mother Superior insists she first visit her sole living relative. Na├»ve, innocent Anna soon finds herself in the presence of her aunt Wanda (Agata Kulesza), a worldly and cynical Communist Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism. In this beautifully directed film, Pawlikowski returns to his native Poland for the first time in his career to confront some of the more contentious issues in the history of his birthplace. Powerfully written and eloquently shot, IDA is a masterly evocation of a time, a dilemma, and a defining historical moment; IDA is also personal, intimate, and human. The weight of history is everywhere, but the scale falls within the scope of a young woman learning about the secrets of her own past. This intersection of the personal with momentous historic events makes for what is surely one of the most powerful and affecting films of the year.

No comments: